3v is made up of red, green and yellow lines. 3r has alternating red and green arches at the top and red and metallic red lines. Note: Two eight-columned Easter tables for the years 988-1025, with marginal annals on fol. Note: Rest of column b is blank except for British Museum stamp. Incipit (Latin): LINEA chr iste tuos p rima e st que c ontinet annos Incipit (Latin): PRim us in orbe dies lucis p rimordia su mpsit Title: Eugenius Toletanus, Monosticha recapitulationes septem dierum lunas paschales circ ul umĭecoration: Large initials in alternating red and green. Rubric (initial in red ink): De circulo decennouenali Incipit (Latin): PASchalis ciclus octo e st lineis co mmunit usĭecoration: Initials in alternating red and green. Rubric (initial in red ink): Continentia circuli paschalis The lines of the table are in yellow, red, blue or green. scias q uota sit lunaĭecoration: Red and green frame to text.
Incipit (Latin): SI uis scire t er minu m.
Title: On determining the limits of Septuagesima, Quadragesima, Easter, and Rogationtide Item: (91) Fols 161v/16-162v/22 by the same scribe that finishes Pater Noster. 159v/1-6, started by one scribe and finished by another. A litany of saints containing English names 'sƿiðune' and 'eadgiþa', by the same scribe as the one who wrote homiletic addresses, 124.Two Old English homiletic addresses, 83.Old English glosses to the names of the winds within a circular diagram and an accompanying list of names, 21.Between 10, thirteen scribes writing in England added material on blank spaces and additional leaves ( Wilcox 2000, p. Part 2 (fols 43-203) contains a pontifical written by two scribes in Germany around s. 32), contains illustrated astronomical material. Part 1b (fols 18-42), probably also produced at Peterborough in the 1120s ( Ker 1938, p. Part 1 (fols 2-42) is in turn made up of two parts: Part 1a (fols 2-17), written in Peterborough between 11, originally formed part of a scientific manuscript belonging with Harley 3667, as indicated by the similarities of script and quire signatures ( Wilcox 2000, p. A composite manuscript made up of two distinct parts which were joined together under the direction of Robert Cotton ( Ker 1959, p.
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